{"id":922,"date":"2012-02-21T14:52:29","date_gmt":"2012-02-21T21:52:29","guid":{"rendered":"http:\/\/www.tolgasismanoglu.com\/blog\/?p=922"},"modified":"2013-11-11T05:24:03","modified_gmt":"2013-11-11T12:24:03","slug":"salvador-dali","status":"publish","type":"post","link":"https:\/\/www.tolgasismanoglu.com\/blog\/salvador-dali\/","title":{"rendered":"Salvador Dali – S\u00fcrrealizmin Ta Kendisi"},"content":{"rendered":"

\"\"“Ben S\u00fcrrealizmin ta kendisiyim” Bu s\u00f6z 20. y\u00fczy\u0131l\u0131n en \u00f6nemli sanat\u00e7\u0131lar\u0131ndan Salvador Dali’<\/span><\/a>ye a<\/span>it. Ger\u00e7ek\u00fcst\u00fcc\u00fcl\u00fck olarak da bilenen bu ak\u0131m, Avrupa’da iki d\u00fcnya sava\u015f\u0131 aras\u0131ndaki d\u00f6nemde geli\u015fen bir sanat ak\u0131m\u0131d\u0131r. \u0130spanyol ressam ve \u00f6zg\u00fcn bask\u0131 sanat\u00e7\u0131s\u0131 Dali’nin eserleri 23 Aral\u0131k ile 26 \u015eubat 2012 tarihleri aras\u0131nda Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi’de gezilebilir. Tophane-i Amire binas\u0131nda ger\u00e7ekle\u015fen sergi 3 ana b\u00f6l\u00fcmden ve toplam 121 eserden olu\u015fmakta. “\u0130lahi Komedya” “S\u00fcrrealizm \u0130zleri” ve “Gala \u0130le Ak\u015fam Yeme\u011fi”<\/strong><\/p>\n

 <\/p>\n


\n\u0130lahi Komedya<\/strong><\/strong>
\n1950\u2019li y\u0131llar\u0131n ba\u015flar\u0131nda d\u00f6nemin \u0130talyan h\u00fck\u00fcmetinin, Dante\u2019nin 700. do\u011fum g\u00fcn\u00fc \u015ferefine Dali\u2019den \u0130lahi Komedya\u2019y\u0131 resimlemesini istemesi \u00fczerine ortaya \u00e7\u0131kan yap\u0131tlar, Dali\u2019nin, sanat ele\u015ftirmenleri ile kendisinin, kariyerindeki en dikkate de\u011fer eserler olarak g\u00f6r\u00fclmektedir. Sanat\u00e7\u0131 taraf\u0131ndan resmedilen 100 sulu boya \u00e7al\u0131\u015fma, d\u00f6nemin uzman a\u011fa\u00e7 oymac\u0131lar\u0131 taraf\u0131ndan sanat\u00e7\u0131n\u0131n g\u00f6zetimi alt\u0131nda 3000\u2019in \u00fczerinde ah\u015fap blok kullan\u0131larak yeniden \u00fcretilmi\u015ftir. Bu s\u00fcitte Dali, Dante\u2019yi arz\u0131n derinliklerindeki Cehennem\u2019den Araf\u2019a ve Cennet\u2019e seyreden yolculu\u011funda takip etmektedir.<\/p>\n

S\u00fcrrealizm \u0130zleri<\/strong>
\n\u201cS\u00fcrrealizm \u0130zleri\u201d Salvador Dali\u2019nin 9 adet renkli bas\u0131m litografileri i\u00e7ermektedir. Litografiler 1971 tarihinde Paris\u2019te yap\u0131lm\u0131\u015ft\u0131r. Bu eserlerinde olu\u015fturdu\u011fu d\u00fc\u015fsel atmosfer,\u00a0 hayal ile ger\u00e7e\u011fi ay\u0131rman\u0131n m\u00fcmk\u00fcn olmad\u0131\u011f\u0131 plastik bir evreni imler. Dali\u2019nin as\u0131l hedefi g\u00fcndelik hayat\u0131 sarkastik bir tav\u0131rla hayal\u2019in evine d\u00f6n\u00fc\u015ft\u00fcrmekti. \u201cS\u00fcrrealizm \u0130zleri\u201d Dali sembolizminin ve s\u00fcrrealizminin \u00f6rnek niteli\u011findeki \u00e7al\u0131\u015fmalar\u0131 olarak kabul edilmektedir. Burada yer alan koltuk de\u011fnekleri, saatler, kelebekler, Gala ve Dali\u2019nin kendisi, sanatsal izle\u011fine \u0131\u015f\u0131k tutan \u00f6nemli sembollerdir.<\/p>\n

\"\"<\/p>\n

Gala \u0130le Ak\u015fam Yeme\u011fi<\/strong>
\n1971 y\u0131l\u0131nda resmedilen\u00a0 \u201cGala ile Ak\u015fam Yeme\u011fi\u201d 12 adet renkli litografiden olu\u015fur. \u00c7ocuklu\u011fundan beri a\u015f\u00e7\u0131 olmay\u0131 hedefleyen Dali, bu hayalini 68 ya\u015f\u0131nda, efsane restoranlar\u0131n ve a\u015f\u00e7\u0131lar\u0131n\u0131n men\u00fc ve tariflerinden olu\u015fturdu\u011fu, s\u00fcrrealist gastro-estetik hik\u00e2yelerini bir araya getirdi\u011fi bu seride ger\u00e7ekle\u015ftirir. Renk ve \u0131\u015f\u0131k oyunlar\u0131yla dolu bu \u00e7al\u0131\u015fmalarda Dali, a\u00e7l\u0131ktan \u00f6lmek \u00fczere olan sanat\u00e7\u0131ya vurgu yapar ve sanat\u00e7\u0131, yemek paras\u0131 olmad\u0131\u011f\u0131 i\u00e7in a\u00e7 kalan birisi olarak de\u011fil, tutkular\u0131yla yan\u0131p tutu\u015fan, sanat\u0131, ayn\u0131 yemek yer gibi hazla, abart\u0131yla ve g\u00f6steri\u015fle sindiren bir kimse olarak betimlenir.<\/p>\n

\n

\u201cGala ile Ak\u015fam Yeme\u011fi tamamen haz almaya adanm\u0131\u015ft\u0131r ve diyet re\u00e7eteleri i\u00e7ermez.\u201d<\/em><\/strong><\/p>\n<\/blockquote>\n

Dali’yi daha \u00f6nce gezmediyseniz, bu son haftay\u0131 ka\u00e7\u0131rmay\u0131n! Kalabal\u0131k a\u00e7\u0131s\u0131ndan erken gitmekte fayda var. Sergiyi gezmemi sa\u011flayan sosyal medyadaki taze enerji, LimonSocial’a te\u015fekk\u00fcr ederim.<\/p>\n

Bol yarat\u0131c\u0131 g\u00fcnler…<\/p>\n

\"\"<\/p>\n\n","protected":false},"excerpt":{"rendered":"

“Ben S\u00fcrrealizmin ta kendisiyim” Bu s\u00f6z 20. y\u00fczy\u0131l\u0131n en \u00f6nemli sanat\u00e7\u0131lar\u0131ndan Salvador Dali’ye ait. Ger\u00e7ek\u00fcst\u00fcc\u00fcl\u00fck olarak da bilenen bu ak\u0131m, Avrupa’da iki d\u00fcnya sava\u015f\u0131 aras\u0131ndaki d\u00f6nemde geli\u015fen bir sanat ak\u0131m\u0131d\u0131r. \u0130spanyol ressam ve \u00f6zg\u00fcn bask\u0131 sanat\u00e7\u0131s\u0131 Dali’nin eserleri 23 Aral\u0131k ile 26 \u015eubat 2012 tarihleri aras\u0131nda Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi’de gezilebilir. Tophane-i Amire binas\u0131nda […]<\/p>\n","protected":false},"author":1,"featured_media":924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"two_page_speed":[],"footnotes":""},"categories":[1,9],"tags":[218,222,220,219,216,213,217,215,214,221],"class_list":["post-922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-izlediklerim","tag-dali","tag-gala-ile-aksam-yemegi","tag-gercekustuculuk","tag-ilahi-komedya","tag-ressam","tag-salvador-dali","tag-sanat","tag-surrealist","tag-surrealizm","tag-surrealizm-izleri"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/posts\/922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/comments?post=922"}],"version-history":[{"count":25,"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/posts\/922\/revisions"}],"predecessor-version":[{"id":2652,"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/posts\/922\/revisions\/2652"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/media\/924"}],"wp:attachment":[{"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/media?parent=922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/categories?post=922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tolgasismanoglu.com\/blog\/wp-json\/wp\/v2\/tags?post=922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}